For many years I was skeptical of the UFO phenomenon. I was persuaded by SETI pioneers like Carl Sagan: It’s pretty certain that the universe is full of intelligent civilizations, but the vast interstellar distances and the vast timescales involved in traversing them made the notion of an alien presence in our skies seem (to […]
M.J. Harper and others at the lively and interesting site Applied-Epistemology.com are more than a little suspicious that Beowulf, and with it most if not all of the texts written in Anglo-Saxon (“Old English”), are forgeries created in the 16th century. It’s a really interesting argument. The Tudor period was a time of incredible cultural […]
Some films get sort of obscured, in hindsight, not only by their own famousness or popularity, but also by standard interpretations. Rashomon is one example: The handy notion that Kurosawa’s classic is about relativism, different people having multiple points of view, has essentially controlled our viewing of that film since it was released. Yet the […]
David Lynch seems like someone who gets possessed by a question and won’t let up until he tires of the question (not, that is, until he answers it—the questions he asks aren’t answerable, probably). The question in his recent films, at least, seems to be: What is Woman made of? Or maybe it is some […]
Well, there are many kinds of films. Most of them, nowadays, don’t demand much thinking. That makes me very, very upset. It makes me upset that they think the audiences have grown unused to thinking and that they only want things spelled out for them, in a platter. That’s bullshit, and a big one. People […]
On the back cover of my Ballantine paperback edition of Dune, by Frank Herbert, is a review that sticks in my mind from my childhood: “I know nothing comparable to it except … the Lord of the Rings.” That ellipsis, I always imagined, was a dramatic pause. Is Dune comparable to Tolkien’s masterpiece? In the […]